Snakes should be allowed to drive (2024)

I really have to give props to whoever does the lighting and cinematography for What We Do In The Shadows. They took what could easily have been an excuse to cheap out on those things--the show's format as a half-hour comedy mockumentary--and said a resounding f*ck that.

Every frame of this show is gorgeously and thoughtfully lit and shot and colored, and not just the big pivotal moments. Truly every shot. The sets and the costumes also do a lot of heavy lifting here, but still everything is framed so carefully and intentionally. And considering this show is at least 55% f*cking improv? That is seriously impressive. I've seen big budget network cornerstone series take less care with their most pivotal moments than this show takes with like...any random moment (I know, I know, it's okay, I can say Game of Thrones).

Take this shot for example (thanks to @indashadows!):

Now bear in mind, this is ONE shot in ONE scene in an episode. An important scene, but not a long one. And yet in this scene, every single detail--from the actors' body language to the framing to the lighting to their f*cking outfits--reinforces the underpinning context and subtext of the scene.

Look at Nandor. His posture is so open and vulnerable. He's facing directly toward Guillermo, looking slightly up at him actually instead of down at him like he usually would be. They're almost eye level but not quite. His face is fully lit, and his body is more in light than shadow, with the parts facing Guillermo lit and the parts facing away from him in deep shadow.

Nandor is being very open, honest, and vulnerable with Guillermo in this scene, probably more so than he's ever been before! All the pretense, the aloofness he usually hides behind is now shoved to the back. They're also on nearly equal footing compared to their usual situation, with Guillermo possibly having a slight upper hand due to how thrown everyone, including Nandor, is by the revelation that he's a vampire slayer.

(I know Nandor knew he killed Carol and the Baron, but given those were both accidents I think it's reasonable to say Nandor was still surprised about the slayer from a long line of notorious slayers aspect of the revelation.)

Another way to read this is that Nandor is at a disadvantage because of what he doesn't know in this scene, i.e. that Guillermo can leave any time he wants, that Guillermo has been listening to their conversations, and that Guillermo is using that information now to manipulate him. It's left somewhat up to interpretation whether Nandor actually knows any of this or not, so YMMV there. But the point stands that in either interpretation, Nandor is on his back foot here a bit and the framing and lighting of the scene reflects that.

Now contrast that with Guillermo. His posture is closed off, he's hunched in on himself. He's leaning toward Nandor, but he's not facing him or looking at him directly. His eyes are downcast. He's positioned a little above Nandor, but he's not acknowledging or reveling in that change of position in any way; in fact, he seems to be minimizing it with the way he's standing. Almost his entire body including his face is in shadow, with only the parts facing away from Nandor receiving any light.

Guillermo is not being vulnerable, open, or honest with Nandor in this moment. Whether Nandor knows everything or not, Guillermo thinks he's playing Nandor here. He thinks he has information Nandor isn't privy to (the hole in the cage and the hidden cameras) and knows things Nandor doesn't know he knows (the conversations he's overheard). Guillermo is normally much more open and vulnerable with Nandor, which often results in him getting his feelings (at the very least) hurt. But this is one time when he's consciously choosing to push his care for Nandor to the backburner in order to take care of himself for once.

(I also have FEELINGS about light representing emotional honesty and vulnerability between these two characters in the show about vampires and what they do in the shadows. Maybe I'll scream about them later.)

And here's the real kicker: they are so in odds with their approach here, their usual roles in the relationship are being reversed in ways neither is fully comfortable with...and yet they're still on the same damn page.

They both have the same ultimate goal in this scene: to get Guillermo out of the cage and have the other vampires in the house accept him and stop insisting on killing him. They are both trying to take care of Guillermo in their own ways. And as the show often does, it underscores this in part via the similarities in their outfits (but that is a WHOLE other f*cking massive meta-post currently sitting in my drafts).

Snakes should be allowed to drive (2024)
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